This was exactly as described, “quiet night and perfect end”. Esther and I entered the cathedral almost half an hour before the appointed time, but it was already nearly full. We went up to the front and put our blankets on the floor, using the short wall as our back rest. Esther said this was prime seating. In spite of the crowd, the sanctuary was quiet and dark, except for the candles lighting each row and the altar area. We saw the singers assembling.
The music was old, historic, mysterious, haunting at times, joyful at times, sacred in quality. There are very few opportunities to appreciate the beauty of the chant, of harmonies in a building so acoustically perfect. Part of the experience is being surrounded by others who are also curious, amazed, calmed and blessed by the words and songs.
Much of the music was acapella. Occasionally handbells joined the singing. And at the end of the half hour, the pipe organ began to enrich the empty places with tangible layers of sound.
With the departure of the chorus most people filed out quietly, but the organ continued to play. The complexity of the sound demanded that we get a closer look, and there did seem to be people in the organ loft. We found the stair and joined a small group watching the organist. This virtuoso was a young man in plaid flannel, whose fingers flew over the four levels of keys, and whose feet were all but running over the foot pedals. At the finish he stood and bowed slightly, seeming almost embarrassed to be watched.
I now love the word compline, for its meaning and for the memory of this experience. St. Marks Episcopal Cathedral, Capital Hill, Seattle, WA. You will not be disappointed.