Tonight I am at the sewing machine. I’m remodeling a dress for North Carolina daughter. I can’t be sure it will fit her but I have a fair idea of what is needed. I’m praying with every seam that it will turn out well. I think the prayer will be answered and I’m sewing with confidence.
The material is satin. It’s creamy white and soft and surprisingly different from today’s satin, because it is 70 years old. Seventy years ago, my grandmother sat sewing with this same fabric. She was a skilled seamstress, making a wedding dress for her daughter. Her daughter was a different size than my daughter so I have taken the dress apart to resize and change the design a bit. I have to admire her work. She was careful, and gave attention to details. It was a beautiful dress. I have seen it in the pictures of my mother’s wedding.
Expectations of what wedding dresses should look like have changed so much from 1950. I don’t know what they are making them out of these days that they should cost thousands of dollars, but I know the one my grandmother worked on was made out of love (and satin, and lace).
The work on this project has been an emotional experience for me. I take apart a seam and realize that was thread put there by her machine. Her hands touched the fabric in this very place as she guided it under the needle. She probably peered closely at that button as she sewed it on, just as I am as I remove it. We are linked, she and I, by many things that aren’t tangible, but this dress can be touched and felt. The whole idea is kind of eerie, almost sacred, to me.
And our daughters, the one who wore it so long ago and the one who will wear it next month, they are also linked by the same dress. Mothers and daughters, four women, seventy years, one dress. I love it. It has specialness that can’t be bought.
But as I said, we will see if it fits and seems appropriate for the ceremony. At the least, it will be in a picture. And to some of us, it will look beautiful. Just sayin’…